{"title":"ALL BOOKS","description":"","products":[{"product_id":"boris-mikhailov","title":"I Am Not I","description":"\u003cp\u003e\u003cspan class=\"s1\"\u003e\u003cstrong\u003eI Am Not I – Boris Mikhailov\u003ci\u003e \u003c\/i\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"s1\"\u003eI Am Not I brings together 33 tritone images from Boris Mikhailov's iconic series of self portraits made as the Soviet Union collapsed.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"p1\" style=\"text-align: left; padding-left: 0px;\"\u003e\u003cem\u003e\"In describing the genesis of \u003cstrong\u003eI Am Not I\u003c\/strong\u003e in the political context of the aftermath of the collapse of the Soviet state, Mikhailov has suggested that he was performing a kind of anti-heroic riposte to the muscular confidence of Soviet-era monumental iconography.\u003cbr\u003e\u003cbr\u003e\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv class=\"p1\" style=\"text-align: left; padding-left: 0px;\"\u003e\u003cem\u003e\u003cspan class=\"s1\"\u003eI Am Not I, a thoroughly unacceptable series of propositions on masculinity, libido and the egoideal, is not only an artist’s performance for the camera, but a deliberately self-cancelling account of the impossible contradictions of authorship and identity.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv class=\"p1\" style=\"text-align: left; padding-left: 0px;\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv class=\"p1\" style=\"text-align: left; padding-left: 0px;\"\u003e\n\u003cstrong\u003eExtract from text by Simon Baker\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"p1\" style=\"text-align: left; padding-left: 0px;\"\u003e\n\u003cem\u003e\u003cstrong\u003eI AM NOT I\u003c\/strong\u003e\u003c\/em\u003e is an iconic series of self-portraits made by Boris Mikhailov in the early 1990s right after the collapse of the Soviet Union. Acting for the camera, the artist plays the role of an antiheroic figure contrasting with the strong and masculine stereotype previously connected with the regime, whose echo reverberates through he pure and sober black and white adopted for every imagers. Mikhailov, who always investigated the boundaries of photography and its connections with other disciplines, here combines it with the atmosphere and the grammar of theatre. The viewers attend a performance that is reminiscent of the tradition of the Theatre of the Absurd, with the protagonist alone, naked, and handling a sex toy in every possible way. Although his irrational behaviour might at first glance appear like an act of celebration and relief at the end of a a grim era, through repetition it soon turns into an allegory of fear for an uncertain future - it seems like a performance for itself and the camera. The photographic frame is the prison of the performer who, unlike the photographer, cannot look beyond the dark cloth behind him.\u003c\/div\u003e\n\u003cdiv class=\"p1\" style=\"text-align: left; padding-left: 0px;\"\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"p1\" style=\"text-align: left; padding-left: 0px;\"\u003e\u003cstrong\u003eAbout the artist\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv class=\"p1\" style=\"text-align: left; padding-left: 0px;\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"p1\" style=\"text-align: left; padding-left: 0px;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e Boris Mikhailov \u003cspan\u003e(b. 1938 in Charow, Ukraine) is one of the most important chroniclers of the everyday life of a (post-) Soviet society.\u003cspan\u003e \u003c\/span\u003eMikhailov studied electrical engineering at Charkov University of Technology and initially worked as an engineer, before starting to take photographs as a self-taught artist in the late 1960s.\u003cspan\u003e \u003c\/span\u003eThe early series of the 1960s and 70s often show personal pictures of friends, acquaintances or partners of the artist.\u003cspan\u003e \u003c\/span\u003eThe world in his pictures is always unadorned and rough - everyday scenes, poverty, sexuality, despair, resignation, decay of a forgetting Eastern Europe.\u003cspan\u003e \u003c\/span\u003eMikhailov is always dedicated to the outcasts of society.\u003cspan\u003e \u003c\/span\u003eHis works have been presented in numerous solo and group exhibitions worldwide, most recently in the Sprengel Museum, Hannover (2013), in the Berlinische Galerie, Berlin (2012),\u003cspan\u003e \u003c\/span\u003ein the Museum of Modern Art, New York (2011), the Tate Modern, London (2010), the Kunsthalle Wien (2010) and the Ukrainian Pavilion at the Venice Biennale (2007).\u003cspan\u003e \u003c\/span\u003eBoris Mikhailov lives and works in Kharkov and in Berlin.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"p1\" style=\"text-align: left; padding-left: 0px;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"p1\" style=\"text-align: left; padding-left: 0px;\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"p1\" style=\"text-align: left; padding-left: 0px;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cb\u003eLimited Edition of 500\u003cbr\u003e\u003c\/b\u003e64 Pages\u003cspan\u003e \u003cbr\u003e\u003c\/span\u003eHardback \u003cbr\u003e240  X 330 mm\u003cbr\u003eprinted duo tone on uncoated paper\u003c\/p\u003e\n\u003cp\u003eISBN: 9781907071454\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"p1\" style=\"text-align: left; padding-left: 0px;\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e","brand":"MÖREL","offers":[{"title":"Unsigned","offer_id":5618910756907,"sku":"BOOKS","price":150.0,"currency_code":"EUR","in_stock":true},{"title":"Signed","offer_id":6287597830187,"sku":"BOOKS","price":300.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2559\/3848\/products\/cover_small.jpg?v=1587837412"},{"product_id":"benoit-jeannet","title":"BENOIT JEANNET","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"gmail-p1\"\u003e\u003cspan class=\"gmail-s1\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"gmail-s1\"\u003e\u003cstrong\u003eA Geological Index Of The Landscape – Benoit Jeannet\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"gmail-p1\"\u003e\u003cspan class=\"gmail-s1\"\u003e\u003cem\u003eA Geological Index...\u003c\/em\u003e is inspired by Anne Cauquelin’s concept that landscape is an invention only existing through representation. The series is built on the tension between emotions and rationalism; on a frenetic need to make the world fit scale in order to make it ones own.\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"gmail-s1\"\u003e\u003cbr\u003eThe poetry of discovering the world and its landscapes is confronted with the processes of scientific investigation. It is this typological approach that gives these images an illusion of completeness, through the systematisation of physical and inanimate elements constituting the landscape.\u003cbr\u003e\u003c\/span\u003e\u003cbr\u003eThe title suggests with irony that the photographer's encyclopaedic fantasies are as vain as they are seductive. The absurd is there between the images and descriptions in the index, obscure and dry.\u003cspan class=\"gmail-Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"gmail-p2\"\u003e\u003cstrong\u003eEdition of 750\u003c\/strong\u003e\u003cbr\u003e\u003cspan class=\"gmail-Apple-converted-space\"\u003e23.3 x 34 cm\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"gmail-Apple-converted-space\"\u003e240 pages\u003cbr\u003e1.35 kg\u003cbr\u003e\u003c\/span\u003eSoft laminated cover\u003cbr\u003eInside pages on Munken white 1.8 paper\u003c\/p\u003e\n\u003cp class=\"gmail-p2\"\u003e \u003c\/p\u003e\n\u003cp class=\"gmail-p2\"\u003e\u003cstrong\u003ePRESS:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"gmail-p2\"\u003e\u003ca rel=\"noopener noreferrer\" href=\"https:\/\/032c.com\/benoit-jeannets-index-of-the-earth-explains-why-we-love-rocks\" target=\"_blank\"\u003e\u003cstrong\u003e032c\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Morel Media Ltd","offers":[{"title":"Default Title","offer_id":5809068671019,"sku":"BOOKS","price":50.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2559\/3848\/products\/bj_cover.jpg?v=1587740310"},{"product_id":"alix-marie","title":"Alix Marie","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBleu – Alix Marie\u003c\/strong\u003e\u003cem\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eBleu investigates the parallels between skin and the photograph: both surfaces, both fragile, both filled with secrets and taboos. \u003cbr\u003e\u003cbr\u003eMarie’s practice merges sculpture, photography and installation. Her work explores the relationship between the body and its representation through processes of objectification, fragmentation, magnification and accumulation. \u003cbr\u003e\u003cbr\u003e‘The photograph’ is considered first and foremost an object and is explored through its potential for materiality, touch, and three-dimensionality.\u003cbr\u003e\u003cbr\u003eMarie was recently selected for the Foam Talent Call and will be featured in the travelling Foam Talent exhibition that launched in Amsterdam on 31 August 2017. In 2018, Marie will have a solo show as part of the Düsseldorf Photo Weekend after winning the prestigious 2017 Portfolio Review Award\u003c\/p\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cbr\u003eLimited Edition of 300\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e44 pages (printed and laminated) + 4 sided PVC cover\u003c\/div\u003e\n\u003cdiv\u003e22.5 X 32 cm\u003cbr\u003e0.495 kg\u003cbr\u003e\u003cbr\u003eISBN: 978-1-907071-60-7\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003ePRESS\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003ca href=\"https:\/\/www.itsnicethat.com\/articles\/alix-marie-art-160718\" title=\"Its Nice That, Alix Marie\" rel=\"noopener noreferrer\" target=\"_blank\"\u003e\u003cstrong\u003eIt's Nice That\u003c\/strong\u003e\u003c\/a\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003ca href=\"https:\/\/www.google.co.uk\/amp\/s\/amp.theguardian.com\/artanddesign\/2019\/may\/28\/bodybuilding-artist-alix-marie-shredded-photography\" rel=\"noopener noreferrer\" target=\"_blank\"\u003e\u003cstrong\u003eGuardian\u003c\/strong\u003e\u003c\/a\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003ca href=\"https:\/\/next.liberation.fr\/culture\/2017\/12\/28\/les-10-livres-photo-de-2017-et-plus-encore_1619137\" rel=\"noopener noreferrer\" target=\"_blank\"\u003e\u003cstrong\u003eLiberation\u003c\/strong\u003e\u003c\/a\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003ca href=\"https:\/\/next.liberation.fr\/arts\/2017\/11\/08\/la-photographie-un-univers-en-perpetuelle-expansion_1608796\" rel=\"noopener noreferrer\" target=\"_blank\"\u003e\u003cstrong\u003eLiberation\u003c\/strong\u003e\u003c\/a\u003e\u003c\/div\u003e","brand":"Morel Media Ltd","offers":[{"title":"Default Title","offer_id":6069207531563,"sku":"BOOKS","price":35.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2559\/3848\/products\/Alix_Marie_Zero-landscape.jpg?v=1639668916"},{"product_id":"asger-carlsen-roger-ballen","title":"Asger Carlsen \/ Roger Ballen","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eNO JOKE – Asger Carlsen \/ Roger Ballen\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eNO JOKE sees Asger Carlsen and Roger Ballen exchanged ideas, sketches and photographs and rework them digitally and in analogue.\u003cbr\u003e\u003cbr\u003eBoth artists are known for blurring of the line between the real world and the fictional and further in the case of this collaboration blurring the line of authorship and process.\u003cbr\u003e\u003cbr\u003eIn NO JOKE Carlsen and Ballen lead each other into what eventually becomes something larger and more absurd then expected.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003cstrong\u003eLimited Edition of 1000\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e72 pages\u003c\/div\u003e\n\u003cdiv\u003e22.5 X 33 cm\u003cbr\u003e750g \u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cp\u003eISBN 978-1-907071-56-0\u003cbr\u003e\u003cbr\u003e\u003cb\u003ePRESS\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003ca rel=\"nofollow noopener noreferrer\" href=\"http:\/\/www.dazeddigital.com\/artsandculture\/article\/32861\/1\/roger-ballen-asger-carlsen-art-s-most-warped-minds-collab-on-a-new-photo-book\" title=\"Dazed\" target=\"_blank\"\u003eDazed\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca rel=\"nofollow noopener noreferrer\" href=\"http:\/\/next.liberation.fr\/arts\/2016\/11\/08\/droles-d-oiseaux-a-paris-photo_1527069\" target=\"_blank\"\u003eLiberation\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca rel=\"nofollow noopener noreferrer\" href=\"http:\/\/officemagazine.net\/interview\/we-really-are-dark\" target=\"_blank\"\u003eOffice\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca rel=\"nofollow noopener noreferrer\" href=\"https:\/\/www.vice.com\/es_co\/article\/8qb7bk\/no-joke-fotografias-intervenidas-que-exaltan-lo-amorfo-y-lo-siniestro\" target=\"_blank\"\u003eVice\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Morel Media Ltd","offers":[{"title":"Default Title","offer_id":6072301748267,"sku":"BOOKS","price":55.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2559\/3848\/products\/image5.jpeg?v=1639669160"},{"product_id":"craig-burnett-olivia-plender-nick-santos-pedro","title":"The Lost Works of Johan Riding","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eThe Lost Works of Johan Riding - Craig Burnett, Olivia Plender, and Nick Santos-Pedro\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThis work is a \"research piece\" in which time, place and person form a fiction that highlights the pitfalls of interpretation and the gaps between images and ideas, history and imagination. Johan Riding is a fictional film-maker whose life has been researched and archived by one Dr Roger Quallen. The piece itself consists of a florid essay by Quallen, supported by an archive that includes photographs, scripts, props, posters and correspondence that supposedly form the remaining materials of Riding’s existence. Plucked from nowhere, the layers of falsehood that surround Riding and Quallen could be disposed with in an instant, yet their physical presence in the form of a cabinet of remnants and a biographical timeline, seen in the context of a monograph, create a fortress of truth, albeit an absurd and fragile one.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eWatch Dr Roger Quallen in conversation with Craig Burnett and Olivia Plender \u003ca rel=\"noopener\" href=\"https:\/\/youtu.be\/30tPM3UxYCw\" target=\"_blank\"\u003ehere\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003cstrong\u003eLimited Edition of 300\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e72 pages + laminated cover\u003c\/div\u003e\n\u003cdiv\u003e23 X 31 cm\u003cbr\u003e0.495 kg\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"978-1-917282-03-1\"}' data-sheets-userformat='{\"2\":14851,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"12\":0,\"14\":{\"1\":2,\"2\":2236962},\"15\":\"Arial\",\"16\":9}'\u003eISBN 978-1-917282-03-1\u003c\/span\u003e\u003c\/div\u003e","brand":"Morel Morel Ltd","offers":[{"title":"Default Title","offer_id":6073094012971,"sku":"BOOKS","price":35.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2559\/3848\/products\/Cover.jpg?v=1587921289"},{"product_id":"jindrich-styrsky","title":"JINDRICH ŠTYRSKY","description":"\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003cstrong\u003eEmilie Comes to me in a Dream – Jind\u003cmeta charset=\"utf-8\"\u003eřich Štyrsk\u003cmeta charset=\"utf-8\"\u003eý\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eA facsimile of Jındřıch Štyrský's handmade artist book from 1933 \u003cspan class=\"s1\"\u003e- originally published in an edition of 69 numbered examples.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e300 copies have been carefully reproduced matching the original materials with the highest quality contemporary substrates. \u003cbr\u003eThis includes 10 hand tipped in images reproduced as quad-prints and the text translated into English.\u003cbr\u003e\u003cbr\u003eAs is the case with the original book - the images are glued to a card stock which are folded into and placed into the cover materials. There is no binding and all sheets are loose.\u003c\/span\u003e\u003c\/p\u003e","brand":"Morel Media Ltd","offers":[{"title":"Default Title","offer_id":6080634716203,"sku":"BOOKS","price":75.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2559\/3848\/products\/JINDRICH_STYRSKY_Cover_-_wide.jpg?v=1587836351"},{"product_id":"william-blake-patti-smith","title":"William Blake\/Patti Smith","description":"\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003ePRICE ON REQUEST\u003c\/strong\u003e\u003c\/span\u003e\u003cstrong\u003e (it's not really €1,000,000)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003eSongs Of Innocence \u0026amp; Experience\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003ePrinted on 100 year old paper from copper plates on a 19th century Star Wheel press with historical pigments (linseed oil, bone ash etc) this is the closest you could ever get to owning an original William Blake!\u003c\/p\u003e\n\u003cp\u003eBlake would have offered his friends and clients the \"songs\" wrapped in a larger sheet of paper, just as these are. We've left the poems as such - as it echoes down over 200 years of self-published culture, right tnto the heart of 20th century rebellious-subculture zines .\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eOn that note - we got Godmother of Punk Patti Smith to photograph a life mask she owned of her idol William Blake - and each box set comes with one of two\u003cstrong\u003e original photographic prints\u003c\/strong\u003e - of course signed by Patti Smith on the back of the print.\u003cbr\u003e\u003cbr\u003eThe 30 poems and photographic print come cased in a protective archival box.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBlakes Printing Method with Michael Phillips:\u003c\/strong\u003e \u003ca rel=\"nofollow noopener noreferrer\" href=\"http:\/\/www.bl.uk\/romantics-and-victorians\/videos\/william-blake-printing-process\" target=\"_blank\"\u003evideo\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLimited Box Set of 30 copies\u003c\/strong\u003e\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003e30 Printed Plates \u003cbr\u003e1 Photographic Print (8\"x10\") signed\u003cbr\u003eArchival Box\u003c\/p\u003e","brand":"Morel Media Ltd","offers":[{"title":"Default Title","offer_id":6086676414507,"sku":"BOOKS","price":4000.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2559\/3848\/products\/BLAKE_-_PATTI_SMITH_BOX.jpg?v=1587740113"},{"product_id":"nobuyoshi-araki","title":"Nobuyoshi Araki","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMarvelous Tales of Black Ink – Nobuyoshi Araki\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Marvelous Tales of Black Ink brings Araki's language of photography and his games with words together into the same frame. The Kanji (Japanese logographic characters) painted directly and with equal intensity onto both the surfaces of explicit nudes and floral compositions raise the stakes of the symbolic associations between flowers and sexuality beyond even that proposed by Georges Bataille in his classic essay \"The Language of Flowers\". And although the calligraphic games that Araki plays tend often towards sexuality, they do so only in the most extraordinarily imaginative and intellectually sophisticated ways. These are word-games that would make Marcel Duchamp proud, even if they might also make him blush...\" \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003eExtract from text by Simon Baker\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAbout the artist\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eNobuyoshi Araki (Japanese, b. 1940) studied film and photography at Chilba University and worked in advertising before devoting himself to photography in the early 1970s. 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A mixture of private and council housing, the estate was designed around a through road, which ran like a spine, with cul-de-sacs leading off it to parking areas made up of open areas and garages. The houses were of unusual design - with the back of the homes facing the roads and garages, and the fronts opening onto small interlocking courtyards interlaced with a network of footways. While studying photography at a local art college in 1987, I discovered this place. I felt alienated from my fellow students, but found a home on the Sandy Hill Estate. Over the next three years I gave people photo prints which led to more pictures - the camera was an excuse really. I liked talking to ‘normal’ people. 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Will Poussin convince his mistress to pose nude for the old man?\u003c\/p\u003e\n\u003cp\u003eIt is worth noting that Picasso later rented the flat at No. 7 Rue des Grands Augestins, the same address of the studio mentioned in the story, and where he painted his own masterpiece, \u003cem\u003eGuernica\u003c\/em\u003e, exactly one hundred years after the final version of Balzac’s tale had been published.\u003cbr\u003e\u003cbr\u003eExtract from the book's Introduction\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLimited \u003c\/strong\u003e\u003cstrong\u003eEdition of 500\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCover Artwork by George Condo\u003c\/p\u003e","brand":"Morel Books","offers":[{"title":"Unsigned \/ Unsigned","offer_id":6135805935659,"sku":"BOOKS","price":10.0,"currency_code":"EUR","in_stock":false},{"title":"Signed by Powers and Condo \/ Signed","offer_id":32919854284843,"sku":"BOOKS","price":100.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2559\/3848\/products\/image.jpg?v=1512047889"},{"product_id":"daniel-gordon","title":"Daniel Gordon","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStill Lifes, Portraits \u0026amp; Parts – Daniel Gordon\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eDaniel Gordon approaches photography with the sensibilities and concerns of an object maker, and the relationship between sculptural and photographic forms is a major force at play in his work. He calls our attention to the surface of the paper, emphatically challenging the notion of a photograph as a window into the world. \u003cbr\u003e\u003cbr\u003eThe imperfections visible in his constructions are the antithesis of the glossy perfection of so much photography today. Instead he shares an affinity with painters or sculptors - those that spend time making things in the studio.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eText extract by Eva Respini \u003c\/b\u003e\u003cbr\u003eAssociate Curator Museum of Modern Art\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCHOSEN BEST PHOTOBOOK OF 2013\u003cbr\u003e\u003ca rel=\"nofollow noopener noreferrer\" href=\"http:\/\/6thfloor.blogs.nytimes.com\/2013\/12\/19\/the-top-ten-photo-books-of-2013\/?_r=0\" target=\"_blank\"\u003eNY TIMES BLOG\u003cbr\u003e\u003c\/a\u003e\u003ca rel=\"nofollow noopener noreferrer\" href=\"http:\/\/www.theguardian.com\/artanddesign\/photography-blog\/2013\/dec\/13\/best-independent-photobooks-2013\" title=\"Link: http:\/\/www.theguardian.com\/artanddesign\/photography-blog\/2013\/dec\/13\/best-independent-photobooks-2013\" target=\"_blank\"\u003eGUARDIAN\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArt 21 \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/r-XnQ2Wsxl8?rel=0\"\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eANOIT DANIEL GORDON\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDaniel Gordon (b. 1980 Boston, MA) received a Bachelor of Arts from Bard College in 2004, and a Master of Fine Arts from the Yale School of Art in 2006. His notable group exhibitions include New Photography 2009 at the Museum of Modern Art in New York, and Greater New York 2010 at MoMA PS1. In 2013 Gordon was a critic in photography at the Yale School of Art. Gordon lives and works in Brooklyn, NY.\u003c\/span\u003e\u003c\/p\u003e","brand":"Morel Books","offers":[{"title":"Default Title","offer_id":6146523955243,"sku":"BOOKS","price":100.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2559\/3848\/products\/01_SLPP_Daniel-Gordon.jpg?v=1639669320"},{"product_id":"antony-cairns","title":"Antony Cairns","description":"\u003cbr\u003e\n\u003cp class=\"s6\"\u003e\u003cem\u003e\u003cstrong\u003eTATE SHOTS with Antony Cairns \u003c\/strong\u003e\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"s6\"\u003e \u003c\/p\u003e\n\u003cp class=\"s6\"\u003e\u003cem\u003e\u003cstrong\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/2J4tL6ZyBPU\" allow=\"autoplay; encrypted-media\" allowfullscreen=\"\" width=\"560\" height=\"315\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"s6\"\u003e\u003cem\u003e\u003cstrong\u003e SIGNED orders dispatched\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"s6\"\u003e\u003cem\u003e\u003cstrong\u003eCTY\u003c\/strong\u003e\u003c\/em\u003e\u003cspan class=\"s3\"\u003e brings together a large selection of Antony Cairns’ oeuvre from his various cities\/projects in London, Las Vegas, Tokyo and Osaka, (including LDN3, LDN4, LPT and OSC), interspersed with 6 texts by Simon Baker (senior curator of photography, TATE). Each text takes a quote as starting point from authors including JG Ballard, William Gibson, HP Lovecraft and Benja\u003c\/span\u003e\u003cspan class=\"s3\"\u003emin \u003c\/span\u003e\u003cspan class=\"s3\"\u003ePéret\u003c\/span\u003e\u003cspan class=\"s3\"\u003e to introduce themes of\u003c\/span\u003e\u003cspan class=\"s3\"\u003e urban life and urbanisation, including \u003c\/span\u003e\u003cspan class=\"s4\"\u003eDrowned City\u003c\/span\u003e\u003cspan class=\"s3\"\u003e, \u003c\/span\u003e\u003cspan class=\"s4\"\u003eRuined City, Abstract City \u003c\/span\u003e\u003cspan class=\"s5\"\u003eand\u003c\/span\u003e\u003cspan class=\"s4\"\u003e Endless City\u003c\/span\u003e\u003cspan class=\"s3\"\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"s6\"\u003e\u003cspan class=\"s3\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s3\"\u003eAntony Cairns (b.1980) has used the city and urban development as an ostensible subject and engages deeply with the history of the photographic medium, experimenting printing methods and the aesthetics of abstraction.\u003c\/span\u003e\u003cspan class=\"s4\"\u003e \u003c\/span\u003e\u003cspan class=\"s3\"\u003eHe\u003c\/span\u003e\u003cspan class=\"s4\"\u003e \u003c\/span\u003e\u003cspan class=\"s3\"\u003ehas evolved a unique and distinctive oeuvre that reanimates historical processes and repurposes old technologies in new and unexpected ways, always through a keen focus on urban topographies and unrelenting built-up environments that visually recall the dystopian worlds of science-fiction.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"s6\"\u003e\u003cspan class=\"s3\"\u003eThe ingenuity and originality of his work has garnered much critical attention; he was awarded the prestigious \u003c\/span\u003e\u003cspan class=\"s3\"\u003eHariban\u003c\/span\u003e\u003cspan class=\"s3\"\u003e Award in 2015, and has been featured in international festivals and institutional exhibitions, most recently in \u003c\/span\u003e\u003cspan class=\"s4\"\u003eA Matter of Memory: Photography as Object in the Digital Age\u003c\/span\u003e\u003cspan class=\"s3\"\u003e at the George Eastman Museum in New York. In 2017 he will be included in the Tate Modern exhibition \u003c\/span\u003e\u003cspan class=\"s4\"\u003eShape of Light: 100 Years of Photography and Abstract Art.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSPECIAL EDITION\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e10 special editions consisting of a book with an \u003c\/span\u003e\u003cspan class=\"s4\"\u003ealuminium print \u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eLimited Edition of 750\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e376 Pages \u003cbr\u003e161 X 216 mm\u003cbr\u003eprinted duo tone on rare pearl paper\u003c\/p\u003e\n\u003cp\u003eISBN: 9781907071614\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePRESS\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003e\u003ca href=\"https:\/\/next.liberation.fr\/images\/2018\/10\/05\/eclairs-obscurs_1683444\" title=\"Liberation\" target=\"_blank\"\u003eLiberation\u003cbr\u003e\u003c\/a\u003e\u003ca href=\"https:\/\/www.washingtonpost.com\/news\/in-sight\/wp\/2018\/10\/10\/from-london-to-tokoyo-antony-cairns\/?noredirect=on\u0026amp;utm_term=.4ab796ee4c9f\" title=\"WASHINGTON POST\" target=\"_blank\"\u003eWASHINGTON POST\u003cbr\u003e\u003c\/a\u003e\u003ca href=\"https:\/\/tankmagazine.com\/tank\/2018\/11\/antony-cairns\/\"\u003eTANK\u003c\/a\u003e \u003cbr\u003e\u003ca href=\"https:\/\/www.creativereview.co.uk\/antony-cairnss-sci-fi-images-explore-the-jigsaw-puzzle-of-the-city\/\" title=\"CREATIVE REVIEW\"\u003eCREATIVE REVIEW\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e\u003ca href=\"https:\/\/www.bjp-online.com\/2018\/05\/cairnstateshape\/\"\u003eBJP\u003c\/a\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003cstrong\u003e More about Antony Carins\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eAntony Cairns (b. London, 1980) takes photographs at night, using the available light cast by buildings in urban centers like London, Tokyo and Los Angeles. In many cases the structures that he chooses are still under construction, little more than the skeletons of the office buildings and luxury apartments of that they are destined to become. His work is resolutely non-topographic, in the conventional sense in which photography has been used to record spaces, structures and architectural styles. There is more, however, to Cairns’s work than simply his distinctive approach to picturing the urban environment. His is a practice that accepts and embraces the photographic medium in its sophisticated entirety: from the effect use of light on analogue film, through a range of experimental darkroom processes, to an innovative and highly specialized understanding of the supports available to the photographic image in the twenty-first century. Cairns presents his work in a number of complementary but contrasting ways: from painstakingly layered and assembled artists books \u003c\/span\u003e\u003cem\u003eLDN\u003c\/em\u003e\u003cspan\u003e (2010), \u003c\/span\u003e\u003cem\u003eLPT\u003c\/em\u003e\u003cspan\u003e (2012), \u003c\/span\u003e\u003cem\u003eOSC\u003c\/em\u003e\u003cspan\u003e (2016); to translucent films of silver gelatin applied directly to sheets of aluminium, \u003c\/span\u003e\u003cem\u003eLDN2\u003c\/em\u003e\u003cspan\u003e (2013), \u003c\/span\u003e\u003cem\u003eLDN3\u003c\/em\u003e\u003cspan\u003e (2014); to experiments with electronic ink, both in working Amazon Kindle reading tablets hacked to contain his complete work, \u003c\/span\u003e\u003cem\u003eLDN EI\u003c\/em\u003e\u003cspan\u003e (2015); and on their extracted frozen screens; strange distant descendants of the daguerreotype, \u003c\/span\u003e\u003cem\u003eTYO2\u003c\/em\u003e\u003cspan\u003e (2017). Cairns was also the winner of the 2015 Hariban Prize, resulting in a residency at the Benrido Collotype atelier in Kyoto. Once again faced with the possibility of extending and expanding the photographic image through its reproducible character Cairns made a series of interventions within, and interpretations of, the collotype process \u003c\/span\u003e\u003cem\u003eLA-LV\u003c\/em\u003e\u003cspan\u003e (2016). Cairns has recently begun to explore the prehistory of the digital age in several related ways, by printing his works and assembling them as montages on early computer punch cards, \u003c\/span\u003e\u003cem\u003eOSC Osaka Station City\u003c\/em\u003e\u003cspan\u003e (2016) and by using the screens of outmoded digital cameras and equipment to screen and project his work. Cairns has exhibited and published widely, in Europe, the United States and Japan. He lives and works in London.\u003c\/span\u003e\n\u003c\/div\u003e","brand":"Morel Books","offers":[{"title":"Default Title","offer_id":14222546665515,"sku":"BOOKS","price":65.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2559\/3848\/products\/cty_-_ANTONY_CAIRNS.jpg?v=1587920152"},{"product_id":"patti-smith-robert-mapplethorpe-arthur-rimbaud","title":"Patti Smith, Robert Mapplethorpe, Arthur Rimbaud","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eA facsimile of Arthur Rimbaud’s 1873 self published book Une Saison En Enfer, the Mörel edition contains Patti Smith's illustrations of Rimbaud, as well as a selection of photographs from the illustrious late Robert Mapplethorpe, selected by Patti Smith.\u003cbr\u003eIn both French and English (translations by the late\/great Oliver Bernard) we stayed faithful the the original typography.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e Limited edition of 500\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003eSoftcover, 92 pages, 18.5 x 12.5 cm\u003c\/p\u003e","brand":"Morel Books","offers":[{"title":"unsigned","offer_id":10847834570795,"sku":"BOOKS","price":25.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2559\/3848\/products\/Untitled-1_0000_seansoninhell_01copy_jpg.jpg?v=1587492241"},{"product_id":"asger-carlsen-1","title":"Asger Carlsen","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWRONG – Asger Carlsen\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e'Based on a true story' Asger Carlsen's series is a haunting and disturbing perspective of the everyday. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eIn some cases subtly surreal and in other blatantly blasted with a dystopian hallucinations, the series is visionary and original. \u003cbr\u003e\u003cbr\u003eBy employing a traditional black and white palette, Wrong peers past reality into a parallel existence. \u003cbr\u003e\u003cbr\u003eThe series is more then appropriate during a time in which there has been lobbying and calls to label beguilingly photoshopped advertorials with warnings. Through using the same mechanisms and tools of the trade, Wrong has broke through the looking-glass into a parallel visual culture, opposing our present perception of hyper-reality and constructed beauty. \u003cbr\u003e\u003cbr\u003eDark and humorous, the absurdity and distortion of Wrong is a satirical travesty of photographic culture as the ultimate simulator and the simulacrum. \u003cbr\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLimited Edition of 1000\u003c\/strong\u003e\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e90 Pages \u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e22 x 22 cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eISBN: 978-1-907071-22-5\u003c\/p\u003e","brand":"Morel Books","offers":[{"title":"Default Title","offer_id":9007576186923,"sku":"BOOKS","price":25.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2559\/3848\/products\/Asger_Cover.jpg?v=1521725727"},{"product_id":"aurel-schmidt","title":"Aurel Schmidt \/ Franz Wright","description":"\u003cp\u003e\u003cstrong\u003eReveries Of A Lost Life Mask – Aurel Schmidt \/ Franz Wright\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFeatured in the 2010 Whitney Biennial, Aurel Schmidt's intricately detailed drawings include objects such as flies, condoms, and cigarette packs and burns which are pieced together to form larger figures.\u003c\/p\u003e\n\u003cp\u003eBy using the detritus of life as the building blocks for her subjects, Schmidt's work becomes a sort of \u003cem\u003ememento mori\u003c\/em\u003e reminder of our own vulnerability and mortality. They are paired here in her first major monograph with the poems of Pulitzer Prize recipient Franz Wright.\u003c\/p\u003e","brand":"MÖREL","offers":[{"title":"Default Title","offer_id":9103990554667,"sku":"BOOKS","price":30.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2559\/3848\/products\/image_0d54f69d-2cc7-4c9f-8943-2b5853b1bcbb.jpg?v=1529946783"},{"product_id":"nick-waplington-selected-by-irvine-welsh","title":"NICK WAPLINGTON selected by IRVINE WELSH","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCunt Away – Nick Waplington \u0026amp; irvine Welsh\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e'\u003cem\u003eCunt Away'\u003c\/em\u003e continues Mörel’s exercise in publishing a book with restrictive time constraints, spontaneity and randomness.\u003c\/p\u003e\n\u003cp\u003eStarted late Friday night at the pub, the discussion with Nick focused on a larger selection of images including paintings, notebooks and photographs - this ended up also including found photographs from Nick's 2007 exhibition at the Whitechapel Gallery.\u003c\/p\u003e\n\u003cp\u003eMeanwhile, Nick emailed Irvine Welsh in Chicago inquiring if he would reduce the edit to the books final content. Irvine responded and agreed almost immediately.\u003c\/p\u003e\n\u003cp\u003eCome Saturday Morning, Irvine received the loose and larger selection of images, narrowed it down. By Sunday the book was designed and a text from Irvine included. Ready to print.\u003c\/p\u003e\n\u003cp\u003eIn addition each cover is hand painted by Nick.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLimited \u003c\/strong\u003e\u003cstrong\u003eEdition of 200\u003c\/strong\u003e\u003c\/p\u003e","brand":"Morel Books","offers":[{"title":"Default Title","offer_id":11206488784939,"sku":"BOOKS","price":0.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2559\/3848\/products\/cover.gif?v=1521221938"},{"product_id":"nick-waplington-1","title":"Nick Waplington","description":"\u003cp\u003e\u003cstrong\u003eThe Search For A Superior Moral Justification For Selfishness – Nick Waplington\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cem\u003eIn 2015 and 2016 I spent a lot of time walking in the morning, up and down \u003c\/em\u003e\u003c\/span\u003e\u003cem\u003ethe hills in Los Angeles, sometimes listening to the city and other times listening to news radio on my phone, always looking for things to photograph or maybe just observe before returning to the studio. There I’d stop the voices - the voices reading the news, my own voice in my head - with music, and for the rest of the day I would paint what I had felt and seen (or what I felt I’d seen). Over the next two years, back in London and then New York, my morning walks have continued - and have become essential moments out of time, when the world seems to be burning and collapsing around me. These works are the result of my walks in a time of upheaval - and in this sense they reflect a practice of paying attention to the here and now, but also refracting the present through a process of reflection that acknowledges past \u003c\/em\u003e\u003cspan\u003e\u003cem\u003ehappiness and fears future catastrophe.\u003c\/em\u003e\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cspan\u003e— Nick Waplington\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eLimited Edition of 1000\u003cbr\u003e\u003c\/b\u003e160 Pages \u003cbr\u003e230 X 330 mm\u003cbr\u003eWith acetate screen printed dust jacket \u003c\/p\u003e\n\u003cp\u003eISBN: 9781907071713\u003c\/p\u003e","brand":"MÖREL","offers":[{"title":"Default Title","offer_id":11555667476523,"sku":"BOOKS","price":40.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2559\/3848\/products\/Nick_Waplington_-_The_Search_for_a_Superiour_Moral_Justifcation_for_Selfishness.jpg?v=1587920240"},{"product_id":"sam-falls","title":"SAM FALLS","description":"\u003cp\u003eSam Falls explores the intersection of colour, perception, digital imagery and natural processes - and in the case of Problems with Decomposition - Sam Falls also brings into context the element of temporal existence. 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I began to visit the Dohyo every morning around five, the start of the Sumo practice. I entered their world and eventually befriended many of the wrestlers.....\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eIn the beginning, I was just visiting and taking photographs from a distance.....\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eNow, almost twenty years later, I began looking at the photographs again and seeing this body of work in a completely different way. The fluidity and abstraction of these enormous and graceful bodies in motion has inspired me all over again. They remind me of the near religious experience of being in the presence of the graceful Sumo.'\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eCraig Thomas McDean\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eLimited Edition of 250\u003cbr\u003e\u003c\/b\u003e54 Pages \u003cbr\u003e24 X 16.5 cm\u003cbr\u003eJapanese Bound by Hand\u003c\/p\u003e\n\u003cp\u003eISBN: 9781907071324\u003c\/p\u003e","brand":"Morel Books","offers":[{"title":"Default Title","offer_id":11814232686635,"sku":"BOOKS","price":25.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2559\/3848\/products\/image_a16ef213-79f7-4177-94d6-3f2982ffa7a6.jpg?v=1524743262"},{"product_id":"jonnie-craig","title":"Jonnie Craig","description":"\u003cp\u003e\u003cstrong\u003eJonnie Craig\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta content=\"wysihtml5\" name=\"copied-from\"\u003e\u003cem\u003e\"When I first became aware of Jonnie Craig's work I was shocked. His photos were blurred, fogged, and from a traditional stance, everything that could be wrong with them was. Then his work was published and I really started looking, and suddenly I thought 'this is brilliant'.\"\u003c\/em\u003e \u003cbr\u003e\u003cbr\u003eGavin Watson, photographer. \u003cbr\u003e\u003cbr\u003eTwenty year old photographer, Jonnie Craig, releases his debut book. 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I became intrigued by the way one activity bleeds into another, creating a symbolic space of communal introspection. Put simply, these photographs are about the search for purpose and meaning in a world that both demands and resists interpretation.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEdition\u003c\/strong\u003e\u003cbr\u003eISBN: 978-1-907071-74-4\u003cbr\u003eHardback with tipped in cover image\u003cbr\u003e250x300mm\u003cbr\u003e80 pages\u003cbr\u003e938 grams\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePRESS\u003c\/strong\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003ca href=\"https:\/\/www.itsnicethat.com\/articles\/eli-durst-the-community-photography-301019\" title=\"IT'S NICE THAT\" target=\"_blank\"\u003eITS NICE THAT\u003cbr\u003e\u003c\/a\u003e\u003ca href=\"https:\/\/aperture.org\/blog\/eli-durst-search-for-community\/\" title=\"APERTURE\" target=\"_blank\"\u003eAPERTURE\u003cbr\u003e\u003c\/a\u003e\u003ca href=\"https:\/\/www.booooooom.com\/2020\/05\/06\/the-community-by-photographer-eli-durst\/\" title=\"BOOOOOM\" target=\"_blank\"\u003eBOOOOOM\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/2559\/3848\/files\/Screenshot_2020-04-25_at_19.19.55_240x240.png?v=1587838824\" alt=\"Eli Durst print\"\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"MÖREL","offers":[{"title":"Without Print","offer_id":31664283910187,"sku":"BOOKS","price":40.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2559\/3848\/products\/Eli_Durst_-_cover_-_small_af837988-0e13-4e96-b0d9-047dff5691ca.jpg?v=1587739636"},{"product_id":"jeff-mermelstein","title":"JEFF MERMELSTEIN","description":"\u003cp\u003e\u003cstrong\u003eHARDENED - Jeff Mermelstein\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003eLAST 5 COPIES! \u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"These are just some of Jeff Mermelstein’s pictures taken mainly on the streets of New York in the last few years. A world of everyday neurosis, minor catastrophe, panic, charm, indiscretion, revelation, fallen pride, deflated bravado, pricked narcissism, and unexpected affection. In a culture in which seemingly everything is contrived for the camera, it is heartening, and horrifying, to see what it looks like when it doesn’t think it is being photographed, or at least photographed the way Jeff Mermelstein does it.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cem\u003eThese are iPhone pictures, most of which first appeared on Instagram. That means they got viewed on devices similar to the one that made them, and in similar circumstances. You see on your screen what he saw on his. That is quite intimate, but it is a kind of livid intimacy that is Mermelstein’s own. Slipping beneath the skin, slicing the façade, close to the bone, too close for comfort. And now here on the printed page, in a new sequence, the effect of these pictures is deepened and estranged yet further.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThey say we get the art we deserve. And of course, “deserve” is double-edged, in the way that Mermelstein’s art is double-edged. We did not know we had these photographs coming, with the vision of the difficult world they embody. We may not know what to do with them now that we have them. We may not know what we did to deserve them. So let us receive them as a great gift.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eLimited Edition of 750\u003cbr\u003e\u003c\/b\u003ePaperback \u003cbr\u003e352 Pages \u003cbr\u003e30.8 X 22 cm (12x10 inches)\u003cbr\u003e1.863 kg (4.5 lbs)\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eISBN: 978-1-907071-64-5\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eEdited \u0026amp; Designed by David Campany\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cstrong\u003ePRESS\u003c\/strong\u003e\u003cbr\u003e\u003ca href=\"https:\/\/www.washingtonpost.com\/photography\/2019\/12\/16\/these-photos-are-slipping-beneath-skin-slicing-faccade-close-bone-too-close-comfort\/\" title=\"Washington Post\"\u003eWashington Post\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"MÖREL","offers":[{"title":"Default Title","offer_id":17041074782251,"sku":"BOOKS","price":60.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2559\/3848\/products\/Jeff_Mermelstein_cover.jpg?v=1746629775"},{"product_id":"patti-smith-robert-mapplethorpe-arthur-rimbaud-1","title":"Patti Smith, Robert Mapplethorpe, Arthur Rimbaud","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eA facsimile of Arthur Rimbaud’s 1873 self published book Une Saison En Enfer, the Mörel edition contains Patti Smith's illustrations of Rimbaud, as well as a selection of photographs from the illustrious late Robert Mapplethorpe, selected by Patti Smith.\u003cbr\u003eIn both French and English (translations by the late\/great Oliver Bernard) we stayed faithful the the original typography.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e Limited edition of 500\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003eSoftcover, 92 pages, 18.5 x 12.5 cm\u003c\/p\u003e","brand":"Morel Books","offers":[{"title":"unsigned \/ SIGNED","offer_id":17234742673451,"sku":"BOOKS","price":400.0,"currency_code":"EUR","in_stock":false},{"title":"UNSIGNED \/ SIGNED","offer_id":17234745655339,"sku":"BOOKS","price":400.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2559\/3848\/products\/COVER-season_in_hell_9377bcba-bb7b-4240-a855-06d99fa64408.JPG?v=1568037193"}],"url":"https:\/\/morelbooks.com\/collections\/all-books\/cty.oembed","provider":"MÖREL","version":"1.0","type":"link"}