{"title":"out of print","description":"","products":[{"product_id":"benoit-jeannet","title":"BENOIT JEANNET","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cspan\u003e\u003cstrong\u003eA Geological Index Of The Landscape – Benoit Jeannet\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003eA Geological Index...\u003c\/em\u003e is inspired by Anne Cauquelin’s concept that landscape is an invention only existing through representation. The series is built on the tension between emotions and rationalism; on a frenetic need to make the world fit scale in order to make it ones own.\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003eThe poetry of discovering the world and its landscapes is confronted with the processes of scientific investigation. It is this typological approach that gives these images an illusion of completeness, through the systematisation of physical and inanimate elements constituting the landscape.\u003cbr\u003e\u003c\/span\u003e\u003cbr\u003eThe title suggests with irony that the photographer's encyclopaedic fantasies are as vain as they are seductive. The absurd is there between the images and descriptions in the index, obscure and dry.\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEdition of 750\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e23.3 x 34 cm\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e240 pages\u003cbr\u003e1.35 kg\u003cbr\u003e\u003c\/span\u003eSoft laminated cover\u003cbr\u003eInside pages on Munken white 1.8 paper\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePRESS:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/032c.com\/benoit-jeannets-index-of-the-earth-explains-why-we-love-rocks\" rel=\"noopener noreferrer\" target=\"_blank\"\u003e\u003cstrong\u003e032c\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Morel Media Ltd","offers":[{"title":"Default Title","offer_id":5809068671019,"sku":"BOOKS","price":50.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2559\/3848\/products\/bj_cover.jpg?v=1587740310"},{"product_id":"alix-marie","title":"Alix Marie","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBleu – Alix Marie\u003c\/strong\u003e\u003cem\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eBleu investigates the parallels between skin and the photograph: both surfaces, both fragile, both filled with secrets and taboos. \u003cbr\u003e\u003cbr\u003eMarie’s practice merges sculpture, photography and installation. Her work explores the relationship between the body and its representation through processes of objectification, fragmentation, magnification and accumulation. \u003cbr\u003e\u003cbr\u003e‘The photograph’ is considered first and foremost an object and is explored through its potential for materiality, touch, and three-dimensionality.\u003cbr\u003e\u003cbr\u003eMarie was recently selected for the Foam Talent Call and will be featured in the travelling Foam Talent exhibition that launched in Amsterdam on 31 August 2017. 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This way, there's irony and vulnerability.'\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLimited\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003cstrong\u003eEdition of 750\u003cbr\u003e\u003c\/strong\u003e204 Pages\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e15.5 X 21 cm\u003cspan\u003e \u003cbr\u003e\u003c\/span\u003e650g\u003cbr\u003eISBN: 978-1-907071-68-3\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eVIDEOS\u003c\/b\u003e\u003cbr\u003e•\u003ca href=\"http:\/\/www.tate.org.uk\/context-comment\/video\/romain-mader-performing-camera-tateshots\" rel=\"nofollow noopener noreferrer\" target=\"_blank\"\u003eRomain Mader Performing for the Camera | TATE SHOTS\u003c\/a\u003e\u003cbr\u003e•\u003ca href=\"https:\/\/www.youtube.com\/watch?time_continue=5\u0026amp;v=Ti0mNU54Wzs\" rel=\"nofollow noopener noreferrer\" target=\"_blank\"\u003eEkaterina\u003cbr\u003e\u003c\/a\u003e•\u003ca href=\"https:\/\/www.youtube.com\/watch?v=JbVt2flkPGg\u0026amp;feature=youtu.be\" rel=\"nofollow noopener noreferrer\" target=\"_blank\"\u003eFOAM PAUL HUF AWARD\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003ePRESS\u003cbr\u003e\u003c\/b\u003e•\u003ca href=\"https:\/\/www.washingtonpost.com\/news\/in-sight\/wp\/2016\/04\/29\/meeting-ekaterina-a-photographers-passage-on-looking-for-life-and-love-in-ukraine\/\" rel=\"nofollow noopener noreferrer\" target=\"_blank\"\u003eWashington Post\u003cbr\u003e\u003c\/a\u003e•\u003ca href=\"http:\/\/www.gupmagazine.com\/portfolios\/romain-mader\/ekaterina\" rel=\"nofollow noopener noreferrer\" target=\"_blank\"\u003eGUP\u003c\/a\u003e\u003ci\u003e\u003cbr\u003e\u003c\/i\u003e•\u003ca href=\"http:\/\/www.vice.com\/read\/photos-of-a-lonely-sex-tourist-in-the-ukraine-that-are-not-all-they-seem\" rel=\"nofollow noopener noreferrer\" target=\"_blank\"\u003eVICE\u003c\/a\u003e\u003ci\u003e\u003cbr\u003e\u003c\/i\u003e•\u003ca href=\"http:\/\/www.itsnicethat.com\/news\/foam-paul-huf-award-2017-romain-mader-160317\" rel=\"nofollow noopener noreferrer\" target=\"_blank\"\u003eIT's NICE THAT\u003c\/a\u003e\u003ci\u003e\u003ca href=\"http:\/\/www.itsnicethat.com\/news\/foam-paul-huf-award-2017-romain-mader-160317\" rel=\"nofollow noopener noreferrer\" target=\"_blank\"\u003e\u003cbr\u003e\u003c\/a\u003e\u003c\/i\u003e•\u003ca href=\"http:\/\/artdaily.com\/news\/94503\/Romain-Mader-wins-Foam-Paul-Huf-Award-2017-#.WNK_4BLyiEI\" rel=\"nofollow noopener noreferrer\" target=\"_blank\"\u003eArt Daily\u003cbr\u003e\u003c\/a\u003e•\u003ca href=\"http:\/\/www.bjp-online.com\/2017\/03\/romain-mader-wins-the-foam-paul-huf-award\/\" rel=\"nofollow noopener noreferrer\" target=\"_blank\"\u003eBritish Journal of Photography\u003cbr\u003e\u003c\/a\u003e\u003ci\u003e\u003cbr\u003e\u003c\/i\u003e\u003ci\u003e\u003cbr\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003eTATE SHOTS\u003c\/p\u003e\n\u003cp\u003e\u003ciframe height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/sZXYynX_gS8?rel=0\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Morel Media Ltd","offers":[{"title":"Default Title","offer_id":6074476658731,"sku":"BOOKS","price":35.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2559\/3848\/products\/ROMAIN_MADER_1_copy.jpg?v=1530113233"},{"product_id":"jindrich-styrsky","title":"JINDRICH ŠTYRSKY","description":"\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eEmilie Comes to me in a Dream – Jindřich Štyrský\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eA facsimile of Jındřıch Štyrský's handmade artist book from 1933 \u003cspan\u003e- originally published in an edition of 69 numbered examples.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e300 copies have been carefully reproduced matching the original materials with the highest quality contemporary substrates. \u003cbr\u003eThis includes 10 hand tipped in images reproduced as quad-prints and the text translated into English.\u003cbr\u003e\u003cbr\u003eAs is the case with the original book - the images are glued to a card stock which are folded into and placed into the cover materials. There is no binding and all sheets are loose.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e36 Pages\u003c\/p\u003e","brand":"Morel Media Ltd","offers":[{"title":"Default Title","offer_id":6080634716203,"sku":"BOOKS","price":75.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2559\/3848\/products\/JINDRICH_STYRSKY_Cover_-_wide.jpg?v=1587836351"},{"product_id":"nobuyoshi-araki","title":"Nobuyoshi Araki","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMarvelous Tales of Black Ink – Nobuyoshi Araki\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Marvelous Tales of Black Ink brings Araki's language of photography and his games with words together into the same frame. The Kanji (Japanese logographic characters) painted directly and with equal intensity onto both the surfaces of explicit nudes and floral compositions raise the stakes of the symbolic associations between flowers and sexuality beyond even that proposed by Georges Bataille in his classic essay \"The Language of Flowers\". And although the calligraphic games that Araki plays tend often towards sexuality, they do so only in the most extraordinarily imaginative and intellectually sophisticated ways. These are word-games that would make Marcel Duchamp proud, even if they might also make him blush...\" \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003eExtract from text by Simon Baker\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAbout the artist\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eNobuyoshi Araki (Japanese, b. 1940) studied film and photography at Chiba University and worked in advertising before devoting himself to photography in the early 1970s. He is best known for his photographs of women contorted by a form of Japanese bondage called Kinbaku. Described as violent, pornographic and erotic these photographs draw on 17th-century Japanese woodblock prints called Shunga, also known for their erotic content.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003ePRESS:\u003cbr\u003e\u003ca href=\"http:\/\/www.1000wordsmag.com\/nobuyoshi-araki\/\" rel=\"nofollow noopener noreferrer\" target=\"_blank\" title=\"Link: http:\/\/www.1000wordsmag.com\/nobuyoshi-araki\/\"\u003e1000 Words\u003c\/a\u003e\u003cbr\u003e\u003ca href=\"http:\/\/www.americansuburbx.com\/2015\/03\/araki-marvelous-tales-of-black-ink.html\" rel=\"nofollow noopener noreferrer\" target=\"_blank\"\u003eASX\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eLimited Edition of 1000\u003cbr\u003eCover Art Work by Araki\u003cbr\u003e\u003c\/b\u003e108 Pages \u003cbr\u003e50 Duotone Images\u003cbr\u003e30 X 36.5 cm\u003c\/p\u003e\n\u003cp\u003e1.4 kg\u003cbr\u003eISBN: 978-1-907071-44-7\u003c\/p\u003e","brand":"Morel Media Ltd","offers":[{"title":"Default Title","offer_id":6087200473131,"sku":"BOOKS","price":50.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2559\/3848\/products\/Screenshot_2019-09-06_at_08.42.28.png?v=1639669702"},{"product_id":"david-armstrong","title":"David Armstrong","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePolaroids - David Armstrong\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003ePolaroids\u003c\/em\u003e\u003c\/strong\u003e is an intimate portrait into David’s life, friends and environment, photographed by both him and friends. The series include Bruce Balboni, Nan Goldin, Lisa Love, Cookie Mueller as well as family. Many of them also appeared earlier in \u003cem\u003eNight and Day\u003c\/em\u003e.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHaving just finished \u003c\/span\u003e\u003cem\u003eNight and Day\u003c\/em\u003e\u003cspan\u003e with David back in 2012, David then turned his attention to a series of \u003c\/span\u003e\u003cstrong\u003ePolaroids\u003c\/strong\u003e\u003cspan\u003e from the 1970s that came to light.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eTogether with David, we worked on this book, and neither of us imagined he wouldn't be here to see it published.  The book was finished - and the very last detail we added was a poem by Frank O’Hara which David requested in his last email about the book.\u003c\/p\u003e\n\u003cp\u003eThe book also has a reproduced (photographed NOT printed) polaroid in each cover - to give each book a unique and special touch.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLimited \u003c\/strong\u003e\u003cstrong\u003eEdition of 1000\u003cbr\u003e\u003c\/strong\u003eEach book cover contains a real re-photographed polaroid - from The Impossible Project\u003cbr\u003e64 Pages \u003cbr\u003e20.5 X 25.5 cm\u003cbr\u003eISBN: \u003cspan\u003e978-1-907071-41-6\u003c\/span\u003e\u003c\/p\u003e","brand":"MÖREL","offers":[{"title":"Default Title","offer_id":6087583662123,"sku":"BOOKS","price":35.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2559\/3848\/products\/160204_3892.jpg?v=1587921398"},{"product_id":"david-benjamin-sherry","title":"David Benjamin Sherry","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEarth Changes – David Benjamin Sherry\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSherry’s approach to the medium challenges categorical ideologies and the question of photographic truth. It could be argued that no photograph can be completely detached or objective, but the distinction concerning a photographer’s intent seems to divide directives: aesthetic or objective. With this collection of “truthful” images, presented in exaggerated colors, the artist marries opposing categorizations, or the division implied therein. Wonderful Land reminds us, through photography, of the inherent value that exists in any natural resource – what it offers, what it represents, and ultimately, its ability to connect us to a broader experience.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAbout the artist\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDavid Benjamin Sherry (American, b. 1981) re-imagines the American Western terrain in Day-Glo colors. Photographing topographic images of the desert surface, Sherry creates oversized luminescent portraits of the diversely fecund American landscape. 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His attempt at photographing the night sky failed due to the lack of detail captured in the pictures taken. Ruff's equipment could not render the detail he wanted as well as air and light pollution added to the difficulties of capturing the beautiful constellations. Ruff's solution was to take observation shots from the European Southern Observatory (ESO) based in the Andes in Chile. \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eRuff talked briefly about STERNE in \u003ca href=\"http:\/\/www.jca-online.com\/ruff.html\" rel=\"nofollow noopener noreferrer\" target=\"_blank\"\u003ea 1993 interview with Philip Pocock\u003c\/a\u003e:\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003ePocock:\u003c\/b\u003e Why stars? Do they mean something extra special to you?\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eRuff:\u003c\/b\u003e When I was eighteen I had to decide whether to become an astronomer or a photographer. I also wanted to move the so-called künstlerische Fotografie boundary. 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I like these crossovers.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cblockquote\u003e\n\u003cp\u003e The publication brings together for the first time the full 164 plates from the STERNE series which were carefully scanned for the publication.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eLIMITED EDITION 1000\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ehardcover\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e160 pages\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e370 x 250 mm\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eblack and white with varnish text\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e2014\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e","brand":"Morel Books","offers":[{"title":"Default Title","offer_id":6105037340715,"sku":"BOOKS","price":45.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2559\/3848\/products\/01_STERNE_THOMAS_RUFF.jpg?v=1639669418"},{"product_id":"boris-mikhailov-1","title":"Boris Mikhailov","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cdiv\u003e\u003cstrong\u003eThe Wedding – Boris Mikhailov\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003eChallenging and provocative, Mikhailov's photographs document human casualties living in post communist Eastern Europe after the demise of the Soviet Union. They are unflinching and ruthless depictions of poverty and the homeless (also known as Bomzhes) living in the margins of Russia's new economic regime without social support or care. This series presents a simulated wedding between two homeless people often naked and in sexual poses, set amongst their own surroundings. \u003cbr\u003e\u003cbr\u003eMikhailov's photographs, often presented in these wry even humorous situations, only add to the absurdity of this tragic life. The onlooker experiences feelings of empathy and disgust as they guiltily absorb the content of these engaging yet horrifying pictures, peering into an unknown world of madness, destitution, longing and death in an un-redemptive portrait of outcast humanity.\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe Wedding\u003c\/em\u003e is bound in imitation of a traditional wedding album, with faux-leather and gold-debossed lettering designed by calligrapher John Stevens. It is further finished off with a text by Adrian Searle.\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAbout the artist\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBoris Mikhailov (b. 1938 in Kharkiv, Ukraine) is one of the most important chroniclers of everyday life in a (post-) Soviet society. He studied electrical engineering at a technical university and began work as an engineer. He taught himself photography in the 1960s. Mikhailov’s early series from the 1960s and 1970s most frequently depicted personal images from everyday life, poverty, sexuality, despair, resignation and the decline of a forgotten Eastern- Europe - is consistently unvarnished and raw. Mikhailov has always focused on society’s outsiders. His works have been shown around the world in solo and group exhibitions, at institutions including Sprengel Museum, MoMA, Tate Modern, Kunsthalle Wien, and the Ukrainian Pavilion at the Biennale di Venezia. Boris Mikhailov lives and works in Kharkiv and Berlin.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\n\u003cstrong\u003eLimited \u003c\/strong\u003e\u003cstrong\u003eEdition of 1000\u003cbr\u003e\u003c\/strong\u003e58 Pages \u003cbr\u003e24 X 23.5 cm\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Morel Books","offers":[{"title":"unsigned","offer_id":10847717130283,"sku":"BOOKS","price":35.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2559\/3848\/products\/Boris_Mikhailov_The_Wedding.jpg?v=1639668995"},{"product_id":"david-armstrong-1","title":"David Armstrong","description":"\u003cp\u003e\u003cstrong\u003eNight \u0026amp; Day – David Armstrong\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eNight \u0026amp; Day\u003c\/em\u003e brings together a selection of iconic Kodachrome pictures from David Armstrong's archive of the late 70's and early 80's New York scene. \u003cbr\u003e\u003cbr\u003eThe images illuminate an intimate and carefree epoch of innocent-bohemian wilderness -a time just before the tumultuous 80's. \u003cbr\u003e\u003cbr\u003eDispersed throughout the series are images of a generation of youngsters which changed culture - including Rene Ricard, Philip-Lorca diCorcia, Jean-Michel Basquiat, John Waters to mention a few. \u003cbr\u003e\u003cbr\u003eVernacular yet with an undeniable ability to capture and create timeless images, David Armstrong's Night \u0026amp; Day tells tales of a bygone era. \u003cbr\u003e\u003cbr\u003eThe book contains 110 images, including a facsimile of an original poem typed out in 1979 by Rene Ricard. \u003cbr\u003e\u003cbr\u003eWe also tracked down Rene to design the cover of the book and have a conversation between David Armstrong and Jack Pierson!\u003c\/p\u003e","brand":"Morel Books","offers":[{"title":"Default Title","offer_id":6107087405099,"sku":"BOOKS","price":45.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2559\/3848\/products\/DAVID_ARMSTRONG3.jpg?v=1639669759"},{"product_id":"jh-engstrom-1","title":"JH Engstrom","description":"AVAILABLE FOR 48 Hours\u003cbr\u003e\u003cbr\u003eOctober 2016: Fear of Leaving\u003cbr\u003e\u003cbr\u003eWe've worked closely with Engstrom to offer a book that is only available for 48 hours - \u003cb\u003efrom midnight (GMT) October 27th until 11:59pm October 28th.\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003eMörel will only print the amount of copies which are ordered in this time frame - in a sense this book is limited by a time window. No copies will be available from the morning of Saturday October 29th.\u003cbr\u003e\u003cbr\u003eCopies will exclusively be sold from our website and the Photographers Gallery  (London) website.\u003cbr\u003e\u003cbr\u003eThe book plays an integral part of JH Engstrom's practice. His numerous books are developed over a number of maquettes and tend to be fused with energy. 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A mixture of private and council housing, the estate was designed around a through road, which ran like a spine, with cul-de-sacs leading off it to parking areas made up of open areas and garages. The houses were of unusual design - with the back of the homes facing the roads and garages, and the fronts opening onto small interlocking courtyards interlaced with a network of footways. While studying photography at a local art college in 1987, I discovered this place. I felt alienated from my fellow students, but found a home on the Sandy Hill Estate. Over the next three years I gave people photo prints which led to more pictures - the camera was an excuse really. I liked talking to ‘normal’ people. Obviously they were obsessed with cars and bikes - they were ‘normal’ to me.\" \u003cbr\u003e\u003cbr\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLimited Edition of 500\u003cbr\u003e\u003c\/strong\u003e96 Pages \u003cbr\u003e22.5 X 32 cm \u003cbr\u003e\u003cbr\u003eISBN: 9781907071584\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003ePRESS:\u003c\/b\u003e\u003cbr\u003e\u003ca href=\"http:\/\/www.theguardian.com\/artanddesign\/2015\/nov\/29\/chris-shaw-photographs-normal-people-retrospecting-sandy-hill-interview\" rel=\"nofollow noopener noreferrer\" target=\"_blank\" title=\"Link: http:\/\/www.theguardian.com\/artanddesign\/2015\/nov\/29\/chris-shaw-photographs-normal-people-retrospecting-sandy-hill-interview\"\u003eThe Guardian\u003c\/a\u003e\u003cbr\u003e\u003ca href=\"http:\/\/next.liberation.fr\/images\/2016\/01\/22\/le-dormeur-du-hall_1428380\" rel=\"nofollow noopener noreferrer\" target=\"_blank\"\u003eLiberation\u003c\/a\u003e (French)\u003cbr\u003e\u003ca href=\"https:\/\/www.washingtonpost.com\/news\/in-sight\/wp\/2015\/12\/30\/a-photographer-overcomes-alienation-by-making-intimate-photos-of-other-people\/\" rel=\"nofollow noopener noreferrer\" target=\"_blank\"\u003eWashington Post\u003c\/a\u003e\u003cbr\u003e\u003ca href=\"https:\/\/www.vice.com\/en_uk\/read\/retrospecting-sandy-hill\" rel=\"nofollow noopener noreferrer\" target=\"_blank\"\u003eVice\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eVIDEO: \u003c\/b\u003e\u003cbr\u003e\u003ca href=\"http:\/\/www.tate.org.uk\/context-comment\/video\/tateshots-chris-shaw\" rel=\"nofollow noopener noreferrer\" target=\"_blank\"\u003eTATE shots\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Morel Books","offers":[{"title":"Default Title","offer_id":6113164886059,"sku":"BOOKS","price":45.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2559\/3848\/products\/Chris_Saw_Retrospecting_Sandy_Hill007.jpg?v=1639669593"},{"product_id":"stephen-shore-hans-ulrich-obrist","title":"Stephen Shore \/ Hans Ulrich Obrist","description":"\n\u003cp\u003eInstagram is the third project in Mörel’s exercise in publishing a book with restrictive time constraints, spontaneity and randomness.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eConsisting of Stephen Shore's complete Instagram feed on the verso page (left) up to the date of printing. 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Her pictures unflinchingly documented her life and relationships with a realist snapshot aesthetic-representing a youth culture set against the glamour of fashion and avoiding fictionalisation or voyeurism. Gaining notoriety both for a scandalous photo of Kate Moss in Vogue in 1993 and for pioneering so-called 'grunge' fashion photography, for a time she was exiled from the mainstream fashion media. Corinne later returned to the fashion and art world with works exhibited and collected in galleries and museums worldwide. 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If Wrong aimed to dismantle the gullibility of the photographic subject matter and level all notions of truth, Hester aims to level the historical ideals in the nude and the ultimate beguiling craftsmanship utilized to achieve this ideal.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e48 Pages\u003cbr\u003e22 x 28 cm\u003cbr\u003eHardcover\u003c\/p\u003e","brand":"Morel Books","offers":[{"title":"Default Title","offer_id":6116927012907,"sku":"BOOKS","price":35.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2559\/3848\/products\/ASGER_CARLSEN_HESTER008.jpg?v=1639669653"},{"product_id":"tiane-doan-na-champassak","title":"Tiane Doan na Champassak","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cstrong\u003eSpleen \u0026amp; Ideal – Tiane Doan na Champassak\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\"In Spleen and Ideal, beauty is pursued across the disintegrating boundaries between male and female. Transgressive sexual encounters with what at times seems to be one and the same person are captured on instant film and mixed with impressions of the urban architecture in which they are anchored. In this project, which centers on gender and identity confusions, photography is a matter of decisive distance between immersion and detachment.\"\u003cbr\u003e \u003c\/p\u003e\n\u003cp\u003eHester Keisjer\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eLimited \u003c\/strong\u003e\u003cstrong\u003eEdition of 500\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cbr\u003e88 Pages \u003cbr\u003e20 X 25 cm\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Morel Books","offers":[{"title":"Default Title","offer_id":6117432033323,"sku":"BOOKS","price":35.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2559\/3848\/products\/Tiane_Doan_na_Champassak_Spleen_and_Idal001.jpg?v=1639670327"},{"product_id":"rene-ricard","title":"Rene Ricard","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNotebook 2010-2012 – Rene Ricard\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\"Here we have a rare insight into Rene’s working process with drawings, drafts of poems, finished poems, witty remarks and memories. Rene wrote this notebook as a work in itself therefore the decision to keep it as a facsimile.\"\u003cbr\u003eExtract from Rita Barros' foreword.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eRene Ricard was an American poet and painter (1946-2014). \u003cbr\u003eFrom the late 1960s, he was one of America's most controversial arbiters of taste.  \u003cbr\u003eHis work has appeared in influential literary, art, and popular publications and \u003cbr\u003ehas contributed profoundly to the cultural discourse of his era.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eEdition of 300\u003c\/b\u003e\u003cbr\u003ePages: 230\u003cbr\u003e16.5 x 22 cm\u003c\/p\u003e","brand":"Morel Books","offers":[{"title":"Default Title","offer_id":6117808209963,"sku":"BOOKS","price":300.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2559\/3848\/products\/RENE_RICARD_notebook004.jpg?v=1783071838"},{"product_id":"bill-powers","title":"Bill Powers \/ George Condo","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Unknown Masterpiece – Bill Powers \/ George Condo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe following text is an adaptation of Honoré de Balzac’s “The Unknown Masterpiece”, initially published in 1831, and containing one of the earliest known literary descriptions of an abstract painting. The characters reverberated strongly with Paul Cézanne, Willem de Kooning and Pablo Picasso, who subsequently illustrated a re-issue of \u003cem\u003eLe Chef-d’oeuvre inconnu\u003c\/em\u003e as it was originally titled in French.\u003c\/p\u003e\n\u003cp\u003eThe story takes place in 17th century Paris at an artist’s studio on the Rue des Grands Augustins. Here we first encounter a young Nicolas Poussin sneaking into court painter Porbus’ atelier. Little does he know that this very day a visit is scheduled with Master Frenhofer, the recluse considered by many to be the greatest living painter in France. As the drama unfolds, Frenhofer explains that he is near completion of his masterpiece, but requires a model with whom to compare his portrait. Will Poussin convince his mistress to pose nude for the old man?\u003c\/p\u003e\n\u003cp\u003eIt is worth noting that Picasso later rented the flat at No. 7 Rue des Grands Augustins, the same address of the studio mentioned in the story, and where he painted his own masterpiece, \u003cem\u003eGuernica\u003c\/em\u003e, exactly one hundred years after the final version of Balzac’s tale had been published.\u003cbr\u003e\u003cbr\u003eExtract from the book's Introduction\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLimited \u003c\/strong\u003e\u003cstrong\u003eEdition of 500\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e56 Pages\u003cbr\u003eCover Artwork by George Condo\u003c\/p\u003e","brand":"Morel Books","offers":[{"title":"Unsigned \/ Unsigned","offer_id":6135805935659,"sku":"BOOKS","price":10.0,"currency_code":"EUR","in_stock":false},{"title":"Signed by Powers and Condo \/ Signed","offer_id":32919854284843,"sku":"BOOKS","price":100.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2559\/3848\/products\/image.jpg?v=1512047889"},{"product_id":"daniel-gordon","title":"Daniel Gordon","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStill Lifes, Portraits \u0026amp; Parts – Daniel Gordon\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eDaniel Gordon approaches photography with the sensibilities and concerns of an object maker, and the relationship between sculptural and photographic forms is a major force at play in his work. He calls our attention to the surface of the paper, emphatically challenging the notion of a photograph as a window into the world. \u003cbr\u003e\u003cbr\u003eThe imperfections visible in his constructions are the antithesis of the glossy perfection of so much photography today. Instead he shares an affinity with painters or sculptors - those that spend time making things in the studio.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eText extract by Eva Respini \u003c\/b\u003e\u003cbr\u003eAssociate Curator Museum of Modern Art\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCHOSEN BEST PHOTOBOOK OF 2013\u003cbr\u003e\u003ca href=\"http:\/\/6thfloor.blogs.nytimes.com\/2013\/12\/19\/the-top-ten-photo-books-of-2013\/?_r=0\" rel=\"nofollow noopener noreferrer\" target=\"_blank\"\u003eNY TIMES BLOG\u003cbr\u003e\u003c\/a\u003e\u003ca href=\"http:\/\/www.theguardian.com\/artanddesign\/photography-blog\/2013\/dec\/13\/best-independent-photobooks-2013\" rel=\"nofollow noopener noreferrer\" target=\"_blank\" title=\"Link: http:\/\/www.theguardian.com\/artanddesign\/photography-blog\/2013\/dec\/13\/best-independent-photobooks-2013\"\u003eGUARDIAN\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArt 21 \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ciframe height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/r-XnQ2Wsxl8?rel=0\" width=\"560\"\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e102 Pages\u003cbr\u003e20.3 x 25.5 cm\u003cbr\u003eHardcover\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eANOIT DANIEL GORDON\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDaniel Gordon (b. 1980 Boston, MA) received a Bachelor of Arts from Bard College in 2004, and a Master of Fine Arts from the Yale School of Art in 2006. His notable group exhibitions include New Photography 2009 at the Museum of Modern Art in New York, and Greater New York 2010 at MoMA PS1. In 2013 Gordon was a critic in photography at the Yale School of Art. Gordon lives and works in Brooklyn, NY.\u003c\/span\u003e\u003c\/p\u003e","brand":"Morel Books","offers":[{"title":"Default Title","offer_id":6146523955243,"sku":"BOOKS","price":100.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2559\/3848\/products\/01_SLPP_Daniel-Gordon.jpg?v=1639669320"},{"product_id":"antony-cairns","title":"Antony Cairns","description":"\u003cbr\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eTATE SHOTS with Antony Cairns \u003c\/strong\u003e\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003e\u003ciframe allow=\"autoplay; encrypted-media\" allowfullscreen=\"\" frameborder=\"0\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/2J4tL6ZyBPU\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003e SIGNED orders dispatched\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eCTY\u003c\/strong\u003e\u003c\/em\u003e\u003cspan\u003e brings together a large selection of Antony Cairns’ oeuvre from his various cities\/projects in London, Las Vegas, Tokyo and Osaka, (including LDN3, LDN4, LPT and OSC), interspersed with 6 texts by Simon Baker (senior curator of photography, TATE). Each text takes a quote as starting point from authors including JG Ballard, William Gibson, HP Lovecraft and Benja\u003c\/span\u003e\u003cspan\u003emin \u003c\/span\u003e\u003cspan\u003ePéret\u003c\/span\u003e\u003cspan\u003e to introduce themes of\u003c\/span\u003e\u003cspan\u003e urban life and urbanisation, including \u003c\/span\u003e\u003cspan\u003eDrowned City\u003c\/span\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cspan\u003eRuined City, Abstract City \u003c\/span\u003e\u003cspan\u003eand\u003c\/span\u003e\u003cspan\u003e Endless City\u003c\/span\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eAntony Cairns (b.1980) has used the city and urban development as an ostensible subject and engages deeply with the history of the photographic medium, experimenting with printing methods and the aesthetics of abstraction.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eHe\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003ehas evolved a unique and distinctive oeuvre that reanimates historical processes and repurposes old technologies in new and unexpected ways, always through a keen focus on urban topographies and unrelenting built-up environments that visually recall the dystopian worlds of science-fiction.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe ingenuity and originality of his work has garnered much critical attention; he was awarded the prestigious \u003c\/span\u003e\u003cspan\u003eHariban\u003c\/span\u003e\u003cspan\u003e Award in 2015, and has been featured in international festivals and institutional exhibitions, most recently in \u003c\/span\u003e\u003cspan\u003eA Matter of Memory: Photography as Object in the Digital Age\u003c\/span\u003e\u003cspan\u003e at the George Eastman Museum in New York. In 2018 he was included in the Tate Modern exhibition \u003c\/span\u003e\u003cspan\u003eShape of Light: 100 Years of Photography and Abstract Art.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSPECIAL EDITION\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e10 special editions consisting of a book with an \u003c\/span\u003e\u003cspan\u003ealuminium print \u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eLimited Edition of 750\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e376 Pages \u003cbr\u003e161 X 216 mm\u003cbr\u003eprinted duotone on rare pearl paper\u003c\/p\u003e\n\u003cp\u003eISBN: 9781907071614\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePRESS\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003e\u003ca href=\"https:\/\/next.liberation.fr\/images\/2018\/10\/05\/eclairs-obscurs_1683444\" target=\"_blank\" title=\"Liberation\"\u003eLiberation\u003cbr\u003e\u003c\/a\u003e\u003ca href=\"https:\/\/www.washingtonpost.com\/news\/in-sight\/wp\/2018\/10\/10\/from-london-to-tokoyo-antony-cairns\/?noredirect=on\u0026amp;utm_term=.4ab796ee4c9f\" target=\"_blank\" title=\"WASHINGTON POST\"\u003eWASHINGTON POST\u003cbr\u003e\u003c\/a\u003e\u003ca href=\"https:\/\/tankmagazine.com\/tank\/2018\/11\/antony-cairns\/\"\u003eTANK\u003c\/a\u003e \u003cbr\u003e\u003ca href=\"https:\/\/www.creativereview.co.uk\/antony-cairnss-sci-fi-images-explore-the-jigsaw-puzzle-of-the-city\/\" title=\"CREATIVE REVIEW\"\u003eCREATIVE REVIEW\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e\u003ca href=\"https:\/\/www.bjp-online.com\/2018\/05\/cairnstateshape\/\"\u003eBJP\u003c\/a\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003cstrong\u003e More about Antony Cairns\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e \u003cspan\u003eAntony Cairns (b. London, 1980) takes photographs at night, using the available light cast by buildings in urban centers like London, Tokyo and Los Angeles. In many cases the structures that he chooses are still under construction, little more than the skeletons of the office buildings and luxury apartments that they are destined to become. His work is resolutely non-topographic, in the conventional sense in which photography has been used to record spaces, structures and architectural styles. There is more, however, to Cairns’s work than simply his distinctive approach to picturing the urban environment. His is a practice that accepts and embraces the photographic medium in its sophisticated entirety: from the effective use of light on analogue film, through a range of experimental darkroom processes, to an innovative and highly specialized understanding of the supports available to the photographic image in the twenty-first century. Cairns presents his work in a number of complementary but contrasting ways: from painstakingly layered and assembled artists’ books \u003c\/span\u003e\u003cem\u003eLDN\u003c\/em\u003e\u003cspan\u003e (2010), \u003c\/span\u003e\u003cem\u003eLPT\u003c\/em\u003e\u003cspan\u003e (2012), \u003c\/span\u003e\u003cem\u003eOSC\u003c\/em\u003e\u003cspan\u003e (2016); to translucent films of silver gelatin applied directly to sheets of aluminium, \u003c\/span\u003e\u003cem\u003eLDN2\u003c\/em\u003e\u003cspan\u003e (2013), \u003c\/span\u003e\u003cem\u003eLDN3\u003c\/em\u003e\u003cspan\u003e (2014); to experiments with electronic ink, both in working Amazon Kindle reading tablets hacked to contain his complete work, \u003c\/span\u003e\u003cem\u003eLDN EI\u003c\/em\u003e\u003cspan\u003e (2015); and on their extracted frozen screens; strange distant descendants of the daguerreotype, \u003c\/span\u003e\u003cem\u003eTYO2\u003c\/em\u003e\u003cspan\u003e (2017). Cairns was also the winner of the 2015 Hariban Prize, resulting in a residency at the Benrido Collotype atelier in Kyoto. Once again faced with the possibility of extending and expanding the photographic image through its reproducible character Cairns made a series of interventions within, and interpretations of, the collotype process \u003c\/span\u003e\u003cem\u003eLA-LV\u003c\/em\u003e\u003cspan\u003e (2016). Cairns has recently begun to explore the prehistory of the digital age in several related ways, by printing his works and assembling them as montages on early computer punch cards, \u003c\/span\u003e\u003cem\u003eOSC Osaka Station City\u003c\/em\u003e\u003cspan\u003e (2016) and by using the screens of outmoded digital cameras and equipment to screen and project his work. Cairns has exhibited and published widely, in Europe, the United States and Japan. He lives and works in London.\u003c\/span\u003e\n\u003c\/div\u003e","brand":"Morel Books","offers":[{"title":"Default Title","offer_id":14222546665515,"sku":"BOOKS","price":65.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2559\/3848\/products\/cty_-_ANTONY_CAIRNS.jpg?v=1587920152"},{"product_id":"patti-smith-robert-mapplethorpe-arthur-rimbaud","title":"Patti Smith, Robert Mapplethorpe, Arthur Rimbaud","description":"\n\u003cp\u003eA facsimile of Arthur Rimbaud’s 1873 self published book Une Saison En Enfer, the Mörel edition contains Patti Smith's illustrations of Rimbaud, as well as a selection of photographs from the illustrious late Robert Mapplethorpe, selected by Patti Smith.\u003cbr\u003eIn both French and English (translations by the late\/great Oliver Bernard) we stayed faithful to the original typography.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e Limited edition of 500\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003eSoftcover, 92 pages, 18.5 x 12.5 cm\u003c\/p\u003e","brand":"Morel Books","offers":[{"title":"unsigned","offer_id":10847834570795,"sku":"BOOKS","price":25.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2559\/3848\/products\/Untitled-1_0000_seansoninhell_01copy_jpg.jpg?v=1783072665"},{"product_id":"asger-carlsen-1","title":"Asger Carlsen","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWRONG – Asger Carlsen\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e'Based on a true story' Asger Carlsen's series is a haunting and disturbing perspective of the everyday. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eIn some cases subtly surreal and in others blatantly blasted with dystopian hallucinations, the series is visionary and original. \u003cbr\u003e\u003cbr\u003eBy employing a traditional black and white palette, Wrong peers past reality into a parallel existence. \u003cbr\u003e\u003cbr\u003eThe series is more than appropriate during a time in which there has been lobbying and calls to label beguilingly photoshopped advertorials with warnings. 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Virginia and Leonard Woolf hand stitched all one hundred and fifty copies of the first edition from their house in 1919 while Virginia’s sister, Vanessa Bell, designed the original cover. Woolf was no stranger to spending long periods of time alone at home overlooking Kew Gardens, reflecting on her immediate surroundings and the natural world beyond it.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eOur cover artist Bella Newman, who is currently isolating at her family home in the countryside of Pennsylvania, shares both Woolf’s affinity with nature and her keen focus on women in her work. This small book remains an inspiring example of how loneliness and isolation can be transmuted into a deep connection with the universal human experience that makes writing and sharing it so timeless and powerful. The stories give a sense of interconnectedness between humans and the natural world that offers relief, solace and hope at a time when this relationship feels more fractured than ever.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eABOUT SEND BOOKS\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003eEvery month at Sendb00ks collaborate with an artist to send out a unique art work as well as a carefully selected work of literature.\u003c\/div\u003e\n\u003cdiv\u003eWith simple gestures sendb00ks hope to encourage discussions and conversations\u003c\/div\u003e\n\u003cdiv\u003eAnd to take a small step away from the transient digital world into the world of words and print.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003ca href=\"http:\/\/sendb00ks.com\/\" rel=\"noopener noreferrer\" target=\"_blank\"\u003eSendb00ks.com\u003c\/a\u003e\u003c\/div\u003e\n\u003cdiv\u003e@sendb00ks\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eLimited Edition of 250\u003c\/b\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eCo-published with\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/sendb00ks.com\/\"\u003esendb00ks\u003c\/a\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e40 Pages \u003cbr\u003e108 x 149 mm\u003cbr\u003ecover artwork by Bella Newman\u003c\/p\u003e\n\u003cp\u003eISBN: 9781907071829\u003c\/p\u003e","brand":"MÖREL","offers":[{"title":"Default Title","offer_id":31772301590571,"sku":"BOOKS","price":5.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2559\/3848\/products\/VirginiaWoolfandBellaNewman.jpg?v=1590148867"},{"product_id":"antony-cairns-special-edition","title":"Antony Cairns","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEdition of 10\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eSpecial edition of the book \u003ca href=\"https:\/\/morelbooks.com\/products\/antony-cairns?_pos=1\u0026amp;_sid=068b76332\u0026amp;_ss=r\"\u003eCTY\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003eInclude a copy of the book and Silver Gelatin coated aluminium plates with a certificate signed and numbered in a special case.\u003c\/p\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003ePlates size: 160 x 215mm\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAbout the artist\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAntony Cairns (b. London, 1980) takes photographs at night, using the available light cast by buildings in urban centers like London, Tokyo and Los Angeles. In many cases the structures that he chooses are still under construction, little more than the skeletons of the office buildings and luxury apartments that they are destined to become. His work is resolutely non-topographic, in the conventional sense in which photography has been used to record spaces, structures and architectural styles. There is more, however, to Cairns’s work than simply his distinctive approach to picturing the urban environment. His is a practice that accepts and embraces the photographic medium in its sophisticated entirety: from the effective use of light on analogue film, through a range of experimental darkroom processes, to an innovative and highly specialized understanding of the supports available to the photographic image in the twenty-first century. Cairns presents his work in a number of complementary but contrasting ways: from painstakingly layered and assembled artists’ books \u003c\/span\u003e\u003cem\u003eLDN\u003c\/em\u003e\u003cspan\u003e (2010), \u003c\/span\u003e\u003cem\u003eLPT\u003c\/em\u003e\u003cspan\u003e (2012), \u003c\/span\u003e\u003cem\u003eOSC\u003c\/em\u003e\u003cspan\u003e (2016); to translucent films of silver gelatin applied directly to sheets of aluminium, \u003c\/span\u003e\u003cem\u003eLDN2\u003c\/em\u003e\u003cspan\u003e (2013), \u003c\/span\u003e\u003cem\u003eLDN3\u003c\/em\u003e\u003cspan\u003e (2014); to experiments with electronic ink, both in working Amazon Kindle reading tablets hacked to contain his complete work, \u003c\/span\u003e\u003cem\u003eLDN EI\u003c\/em\u003e\u003cspan\u003e (2015); and on their extracted frozen screens; strange distant descendants of the daguerreotype, \u003c\/span\u003e\u003cem\u003eTYO2\u003c\/em\u003e\u003cspan\u003e (2017). Cairns was also the winner of the 2015 Hariban Prize, resulting in a residency at the Benrido Collotype atelier in Kyoto. Once again faced with the possibility of extending and expanding the photographic image through its reproducible character Cairns made a series of interventions within, and interpretations of, the collotype process \u003c\/span\u003e\u003cem\u003eLA-LV\u003c\/em\u003e\u003cspan\u003e (2016). Cairns has recently begun to explore the prehistory of the digital age in several related ways, by printing his works and assembling them as montages on early computer punch cards, \u003c\/span\u003e\u003cem\u003eOSC Osaka Station City\u003c\/em\u003e\u003cspan\u003e (2016) and by using the screens of outmoded digital cameras and equipment to screen and project his work. Cairns has exhibited and published widely, in Europe, the United States and Japan. He lives and works in London.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"MÖREL","offers":[{"title":"Default Title","offer_id":31822320926763,"sku":"BOOKS","price":1500.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2559\/3848\/products\/CTYspecialedition-small.jpg?v=1591635140"}],"url":"https:\/\/morelbooks.com\/collections\/out-of-print.oembed?page=2","provider":"MÖREL","version":"1.0","type":"link"}